The Hateful Eight
Wandered up to Knoxville to take in the Hateful Eight Roadshow, Tarantino's longer cut of his flick, complete with intermission and overture.
Incomplete thoughts:
Tarantino's about spectacle. And he does spectacle well.
And he does spectacle beautifully. This is a visual feast. The scenes inside Millie's Haberdashery (where the bulk of the flick takes place) are fantastic.
I have always enjoyed Jennifer Jason Leigh as an actress. Her eyes are the biggest reason. In very few people have I never noted "there's a lot more going on behind those eyes than just the character," but she is high on that list. Tarantino took note, and there are a number of shots where the viewer is directed to her eyes. Beyond that, she is a hoot in this flick. She is reveling in her role, here. I enjoyed her performance most of all.
I also enjoyed Walton Goggins, who's just a human cartoon anyway. He fits into the Tarantino world view, and easily.
Odd thing that seemed out of place? Kurt Russell's performance. I dunno. Somehow, it didn't seem to fit completely, which is sad to say because I generally enjoy his work very much.
Other thoughts: I knew the flick was going to be violent, walking in, but was still taken somewhat aback a couple of times. Spectacle, of course.
Problem with spectacle, though, is that there are diminishing returns.
I think Tarantino's probably smart not putting a flick out but every few years. I enjoy his flicks. But after a while, even Samuel L. Jackson snarling at you from the screen loses its novelty.
It hasn't yet, but if and when he wanders out with a new flick, the Jackie Brown fan in me says I'd like to see him try something a little different next time around.
But then, I laughed my way through this flick. I still enjoyed this ride, and very much. I'm not among those who wants to crown him King of all Flickdom, but he enjoys what he does. It shows. I enjoyed this romp as much as anything he's done this century. I give it a thumbs up.
Incomplete thoughts:
Tarantino's about spectacle. And he does spectacle well.
And he does spectacle beautifully. This is a visual feast. The scenes inside Millie's Haberdashery (where the bulk of the flick takes place) are fantastic.
I have always enjoyed Jennifer Jason Leigh as an actress. Her eyes are the biggest reason. In very few people have I never noted "there's a lot more going on behind those eyes than just the character," but she is high on that list. Tarantino took note, and there are a number of shots where the viewer is directed to her eyes. Beyond that, she is a hoot in this flick. She is reveling in her role, here. I enjoyed her performance most of all.
I also enjoyed Walton Goggins, who's just a human cartoon anyway. He fits into the Tarantino world view, and easily.
Odd thing that seemed out of place? Kurt Russell's performance. I dunno. Somehow, it didn't seem to fit completely, which is sad to say because I generally enjoy his work very much.
Other thoughts: I knew the flick was going to be violent, walking in, but was still taken somewhat aback a couple of times. Spectacle, of course.
Problem with spectacle, though, is that there are diminishing returns.
I think Tarantino's probably smart not putting a flick out but every few years. I enjoy his flicks. But after a while, even Samuel L. Jackson snarling at you from the screen loses its novelty.
It hasn't yet, but if and when he wanders out with a new flick, the Jackie Brown fan in me says I'd like to see him try something a little different next time around.
But then, I laughed my way through this flick. I still enjoyed this ride, and very much. I'm not among those who wants to crown him King of all Flickdom, but he enjoys what he does. It shows. I enjoyed this romp as much as anything he's done this century. I give it a thumbs up.
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